uniquely gifted interpreter pays homage to mentor Lou Reed / the guardian / 11.25.2024

Anohni and the Johnsons deliver on promise with ‘It’s Time To Feel What’s Really Happening’ / chicago tribune / 10.13.2024

Anohni on hope, her tour, and the misogyny of transphobia / dazed digital / 07.25.2024

the truth teller / crack magazine / 11.03.2023

the younger generation of queer activists is ‘top-level beauty’ / dazed / 07.11.2023

anohni and björk talk soul music, lou reed, and climate collapse / interview / 07.11.2023

album review: my back was a bridge for you to cross / pitchfork / 07.10.2023

this is a time of reckoning / the kit / 07.07.2023

to save the world, we’ll have to forgive ourselves / the atlantic / 07.05.2023

album of the week: my back was a bridge for you to cross / paste / 07.05.2023

there needs to be a reckoning / the new statesman / 07.04.2023

anohni isn’t afraid of the darkness / the new york times / 06.27.2023

a shadow archive of new york’s queer underground / artforum / 03.31.2023

queer ecology and trans ferality / atmos / 11.14.2022

paradise lost / atmos / 03.02.2019

anohni anew / cultured mag / 07.15.2019

a conversation between yoko ono and her friend anohni / i-d / 10.16.2018

in conversation: anohni and lynette wallworth / red bull music academy / 06.29.2016

The radical futurism of anohni / flood / 05.02.2016

we don’t have anything to lose / npr / 05.02.2016

art, corporations, and the music industry / the creative independent / 10.10.2016

embracing a new name and sound / the new york times / 04.21.2016

cries from the heart, crashing like waves / the new york times / 01.27.2012

album review: antony and the johnsons’ ‘swanlights’ / los angeles times / 10.12.2010